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home·artworks·Reception of the French ambassadors
Reception of the French ambassadors by Jean Baptiste Vanmour

plate no. 5711

Reception of the French ambassadors

Jean Baptiste Vanmour, 1699

oil, canvasBaroquegenre paintinginteriorfiguresthroneroomambassadorsarchitecture
experienced study

Recreating this painting will help students develop skills in rendering figures in perspective, creating depth through atmospheric perspective, and capturing the textures of different fabrics and surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the room and the placement of the figures.

  2. step 02

    Establish the overall color scheme using thin washes of color.

  3. step 03

    Block in the main shapes and values of the figures and the throne.

  4. step 04

    Develop the details of the faces and clothing, paying attention to the light and shadow.

  5. step 05

    Add the intricate patterns on the walls and the throne.

  6. step 06

    Refine the details and textures of the fabrics and surfaces.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black · Prussian blue

Achieve the muted tones by mixing earth colors with white and small amounts of black or blue. Use glazes of burnt sienna and raw umber to create depth and warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering textures

common pitfalls

  • →Getting the perspective wrong, which will make the room look distorted.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, titanium white, burnt sienna, ivory black, Prussian blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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