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home·artworks·Rebecca and Eliezer at the Well
Rebecca and Eliezer at the Well by Francesco Solimena

plate no. 8539

Rebecca and Eliezer at the Well

Francesco Solimena

oil, canvasBaroquereligious paintingfigureswelllandscapearchitectureclothinganimals
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating depth through atmospheric perspective. Students will also learn to mix realistic skin tones and create highlights and shadows.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 7 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Develop the details of the figures, paying attention to anatomy and drapery.

  5. step 05

    Refine the background and add atmospheric perspective.

  6. step 06

    Add final details and highlights to create a sense of realism.

  7. step 07

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix skin tones by blending burnt umber, raw sienna, and titanium white, adding small amounts of cadmium red for warmth. Create shadows by adding ultramarine blue and ivory black to the base skin tone.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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