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home·artworks·Real Antique
Real Antique by Ralph Hedley

plate no. 2717

Real Antique

Ralph Hedley, 1902

oilRealismgenre paintingfiguresbuildingsfurniturestreet scenechildrenshop
experienced study

Recreating this painting will help students develop skills in rendering figures in realistic proportions and creating depth through atmospheric perspective. It also provides practice in depicting textures of various materials like wood, fabric, and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, buildings, and furniture, paying attention to perspective.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and ground, using thin washes.

  3. step 03

    Develop the figures, starting with the largest shapes and gradually adding details like clothing folds and facial features.

  4. step 04

    Render the furniture, focusing on capturing the textures and details of the wood and other materials.

  5. step 05

    Add details to the buildings, including windows, doors, and architectural elements.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details such as the birdcage, rug, and other small objects.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · sap green

Achieve the muted tones by mixing earth tones with white and small amounts of blues and reds. Use glazes of raw umber and burnt sienna to create depth in shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Failing to establish a clear light source
  • →Inaccurate perspective of buildings

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for layering and blending. Consider using a toned ground to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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