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home·artworks·Reading the Newspaper. War News
Reading the Newspaper. War News by Nikolay Bogdanov-Belsky

plate no. 0647

Reading the Newspaper. War News

Nikolay Bogdanov-Belsky, 1905

oilRealismgenre paintingfiguresinteriornewspapergrouplightreading
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing realistic skin tones using a limited palette. It also provides practice in creating a focal point through light and composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the light source.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main shapes of the figures and the interior with darker tones.

  4. step 04

    Begin layering in the mid-tones, paying attention to the direction of the light.

  5. step 05

    Develop the skin tones by mixing various shades of ochre, sienna, and white.

  6. step 06

    Add details to the faces and clothing, using smaller brushes.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details, such as the texture of the wood and the lettering on the newspaper.

color palette

primary · burnt umber · raw sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red

Achieve the muted tones by mixing the primary colors with burnt umber and white. Use small amounts of blue or red to adjust the temperature of the browns.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the direction of the light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for better paint adhesion. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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