
plate no. 0647
Nikolay Bogdanov-Belsky, 1905
Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing realistic skin tones using a limited palette. It also provides practice in creating a focal point through light and composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the light source.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main shapes of the figures and the interior with darker tones.
Begin layering in the mid-tones, paying attention to the direction of the light.
Develop the skin tones by mixing various shades of ochre, sienna, and white.
Add details to the faces and clothing, using smaller brushes.
Refine the highlights and shadows to create depth and dimension.
Add final details, such as the texture of the wood and the lettering on the newspaper.
color palette
primary · burnt umber · raw sienna · yellow ochre · titanium white
secondary · ultramarine blue · cadmium red
Achieve the muted tones by mixing the primary colors with burnt umber and white. Use small amounts of blue or red to adjust the temperature of the browns.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to allow for better paint adhesion. Consider using a toned canvas to speed up the painting process.
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