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Reading girl by Ilya Repin

plate no. 2260

Reading girl

Ilya Repin, 1876

oilRealismportraitfigureportraitreadingchairlighthair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing light and shadow on the face and hair, and in rendering fabric and skin tones with subtle color variations. It also provides practice in creating a sense of depth and atmosphere through soft edges and blended brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, chair, and book.

  2. step 02

    Establish the background color with a thin wash of green and brown tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to the proportions and pose.

  4. step 04

    Begin to build up the values, starting with the darkest areas of the dress and chair.

  5. step 05

    Focus on the face, carefully observing the highlights and shadows to create form.

  6. step 06

    Add details to the hair, using small brushstrokes to suggest texture and movement.

  7. step 07

    Refine the details of the book and hands, paying attention to the light and shadow.

  8. step 08

    Add final touches and highlights to create a sense of realism and depth.

color palette

primary · ivory black · raw umber · burnt sienna · yellow ochre

secondary · alizarin crimson · viridian green

Mix various shades of brown and green for the background. Use yellow ochre and white for highlights on the face and hair. Mix alizarin crimson with brown for the chair.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·soft blending
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much detail in the background, which can distract from the figure.
  • →Not paying enough attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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