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Reading by Henri Fantin-Latour

plate no. 7153

Reading

Henri Fantin-Latour, 1877

oil, canvasRealismportraitfiguresportraitsinteriortableflowersbook
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic clothing folds. It also provides practice in creating a harmonious color scheme and depicting textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the background with a thin wash of muted colors, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figures, using a limited palette of earth tones and gradually building up the values.

  4. step 04

    Develop the skin tones, mixing subtle variations of color to capture the light and shadow on the faces.

  5. step 05

    Render the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Paint the table and the objects on it, focusing on the details of the patterned tablecloth and the flowers in the vase.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · alizarin crimson · yellow ochre · ultramarine blue

Mix muted tones by combining earth colors with small amounts of complementary colors. Achieve skin tones by blending white, yellow ochre, and alizarin crimson, with touches of raw umber for shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·color layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to capture the subtle variations in skin tone.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

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