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home·artworks·Árboles del pirú del Tepeyac
Árboles del pirú del Tepeyac by Jose Maria Velasco

plate no. 9565

Árboles del pirú del Tepeyac

Jose Maria Velasco, 1905

oilRealismlandscapelandscapemountainstreeslakefiguresbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and distant details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Block in the sky with light blues and whites, creating subtle variations in tone.

  3. step 03

    Establish the distant mountains with muted purples and blues, using lighter values for the peaks.

  4. step 04

    Paint the mid-ground plains with a mix of browns, greens, and yellows, varying the tones to suggest depth.

  5. step 05

    Add the trees and foliage in the foreground, using darker greens and browns to create contrast.

  6. step 06

    Paint the pond, reflecting the sky and surrounding landscape.

  7. step 07

    Add the figures and animals, paying attention to their relative scale and placement.

  8. step 08

    Refine details and highlights throughout the painting, adjusting values and colors as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and yellow ochre for the earth tones, and mix greens by combining blues and yellows. Muted purples for the mountains can be achieved by mixing blues and reds with a touch of brown.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant areas, which should be kept soft and muted.
  • →Creating too much contrast in the foreground, which can flatten the image.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the subtle shifts in value and color that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

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