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home·artworks·Raising of Lazarus
Raising of Lazarus by Luca Giordano

plate no. 9323

Raising of Lazarus

Luca Giordano, 1675

oilBaroquereligious paintingfiguresreligious scenecavearchitecturegroup portrait
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery depiction, and creating depth through atmospheric perspective. It also provides practice in rendering realistic skin tones and capturing emotional expressions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for each figure and area, focusing on accurate color temperature.

  4. step 04

    Develop the figures individually, paying close attention to anatomy, drapery folds, and facial expressions.

  5. step 05

    Refine the light and shadow areas, creating depth and volume.

  6. step 06

    Add details such as jewelry, hair, and architectural elements.

  7. step 07

    Glaze over areas to unify the color palette and create subtle transitions.

  8. step 08

    Add final highlights and details to enhance realism and drama.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use glazes of ultramarine and burnt umber to create shadows and depth. Mix greens from blue and yellow, muted with umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in details too early
  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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