apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rag Picker
Rag Picker by Octav Băncilă

plate no. 8955

Rag Picker

Octav Băncilă

oilRealismgenre paintingfigureportraitold manclothingfabrichands
some experience helpful

Recreating this painting will help students develop skills in portrait painting, particularly rendering realistic skin tones and textures, and understanding how to depict folds and shadows in clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the pile of rags.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the figure's clothing and skin, focusing on the overall values.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the beard and hair, using short, broken brushstrokes to suggest texture.

  6. step 06

    Work on the clothing, adding folds and wrinkles with darker and lighter values.

  7. step 07

    Add the details of the hands and the white cloth, paying attention to the subtle color variations.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red to warm the skin tones. Mix ultramarine blue with burnt umber to create the darker tones in the clothing.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy