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home·artworks·Río de San Ángel
Río de San Ángel by Jose Maria Velasco

plate no. 7283

Río de San Ángel

Jose Maria Velasco

oilRealismlandscapetreesriverlandscapeskyvegetationwater
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in rendering foliage with loose, expressive brushstrokes. It also provides practice in capturing the subtle reflections and movement of water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river and major tree masses.

  2. step 02

    Establish the sky with light washes of blue and white, blending the colors softly.

  3. step 03

    Block in the dark values of the trees and foliage using a mix of dark greens and browns.

  4. step 04

    Add lighter greens and yellows to the foliage to suggest highlights and variations in texture.

  5. step 05

    Paint the riverbed with a base of browns and ochres, varying the tones to create depth.

  6. step 06

    Add reflections to the water using lighter versions of the surrounding colors, and suggest movement with horizontal strokes.

  7. step 07

    Refine the details of the foliage and riverbed, adding small branches, leaves, and rocks.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · viridian green · burnt umber · titanium white · yellow ochre

secondary · cerulean blue · cadmium yellow · alizarin crimson

Mix greens by combining viridian green with yellow ochre or cadmium yellow. Create browns by mixing burnt umber with alizarin crimson and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the foliage and riverbed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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