apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Quiet Day on the Seine
Quiet Day on the Seine by Julius LeBlanc Stewart

plate no. 9533

Quiet Day on the Seine

Julius LeBlanc Stewart, 1880

oil, canvasRealismgenre paintingwaterfiguresboatstreesreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and rendering figures in a naturalistic setting. It also provides practice in creating depth through atmospheric perspective and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, figures, and horizon line.

  2. step 02

    Establish the main color blocks for the sky, water, trees, and figures using thin washes.

  3. step 03

    Develop the reflections in the water, paying attention to color and value variations.

  4. step 04

    Refine the details of the figures, including the clothing and facial features.

  5. step 05

    Add details to the boats and surrounding foliage, using varied brushstrokes to create texture.

  6. step 06

    Adjust the values and colors to create depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form of the objects.

  8. step 08

    Apply final glazes to unify the painting and create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · titanium white · alizarin crimson

secondary · burnt umber · sap green · cadmium yellow light

Mix greens by blending yellow ochre and ultramarine blue, varying the proportions for different shades. Achieve the skin tones by mixing titanium white, alizarin crimson, and a touch of yellow ochre. Use burnt umber and ultramarine blue for dark tones and shadows.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the reflections in the water.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value shifts that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy