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home·artworks·Queen Tomyris Receiving the Head of Cyrus, King of Persia
Queen Tomyris Receiving the Head of Cyrus, King of Persia by Mattia Preti

plate no. 9297

Queen Tomyris Receiving the Head of Cyrus, King of Persia

Mattia Preti, 1672

oilBaroquehistory paintingfigurearmordraperyheadhistoricalportrait
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and metallic surfaces. It also provides practice in composing a complex scene with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background drapery with broad strokes of red and brown.

  3. step 03

    Block in the main figures, starting with the queen and then the surrounding individuals.

  4. step 04

    Begin layering the skin tones, using a limited palette of earth tones, white, and red.

  5. step 05

    Develop the details of the armor, paying attention to highlights and shadows.

  6. step 06

    Refine the drapery folds, using darker values in the crevices and lighter values on the highlights.

  7. step 07

    Add the final details, such as the facial features and the texture of the hair.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · gold

Mix various shades of skin tone using white, yellow ochre, burnt umber, and a touch of red. Achieve the metallic sheen of the armor by layering grays and whites, and adding highlights with a small brush.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study
  • ·metallic rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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