apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Queen Christina of Sweden
Queen Christina of Sweden by Sébastien Bourdon

plate no. 2493

Queen Christina of Sweden

Sébastien Bourdon

oilBaroqueportraitportraitfigureclothinghairfacehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures. It also encourages careful observation of light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using layers of dark brown and highlights to create volume and texture.

  6. step 06

    Block in the white shirt and black bow, focusing on the folds and shadows.

  7. step 07

    Paint the dark fabric, using subtle variations in tone to create a sense of depth and texture.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · ivory black · titanium white · burnt umber

secondary · yellow ochre · raw sienna · alizarin crimson

Skin tones are achieved by mixing white, burnt umber, yellow ochre, and a touch of alizarin crimson. Dark areas are created by mixing ivory black and burnt umber.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the details of the fabric and hair.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne