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home·artworks·Quarrelling
Quarrelling by James Tissot

plate no. 3723

Quarrelling

James Tissot, 1876

oil, canvasRealismgenre paintingfiguresparkpondarchitecturetreesclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and clothing, as well as capturing the subtle nuances of light and shadow in an outdoor setting. Students will also learn how to create depth and atmosphere through careful color mixing and brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, including the trees, pond, and sky.

  3. step 03

    Begin to define the figures, paying attention to their anatomy and clothing details.

  4. step 04

    Layer in the shadows and highlights to create depth and dimension.

  5. step 05

    Add details to the architectural elements, such as the columns and balustrade.

  6. step 06

    Refine the colors and values throughout the painting to create a sense of harmony and balance.

  7. step 07

    Add final details, such as the reflections in the pond and the textures of the clothing.

  8. step 08

    Let it dry and varnish.

color palette

primary · beige · brown · black · white

secondary · green · red · grey

Achieve the various shades of brown and beige by mixing burnt umber, raw sienna, and titanium white. Use small amounts of ultramarine blue or cadmium yellow to adjust the temperature of the colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, cadmium yellow, black)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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