apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pythagoras Advocating Vegetarianism
Pythagoras Advocating Vegetarianism by Frans Snyders

plate no. 4998

Pythagoras Advocating Vegetarianism

Frans Snyders, 1620

oilBaroquehistory paintingfiguresfruittreefoliagemythologylandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating depth through atmospheric perspective. It also provides practice in painting complex still life arrangements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the figures, paying attention to anatomy and skin tones, using layers of glazes.

  4. step 04

    Render the fruit and foliage, varying brushstrokes to create texture and detail.

  5. step 05

    Establish the background, using soft edges and muted colors to create depth.

  6. step 06

    Refine the details, adding highlights and shadows to enhance the form.

  7. step 07

    Glaze the entire painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights.

color palette

primary · ochre · raw umber · titanium white · cadmium red

secondary · viridian · ultramarine blue · cadmium yellow

Achieve skin tones by mixing ochre, cadmium red, and titanium white, adjusting the proportions for highlights and shadows. Use glazes of raw umber and burnt sienna to create depth and warmth.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in figure drawing.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gel
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne