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home·artworks·Pushing for Rail
Pushing for Rail by Thomas Eakins

plate no. 6674

Pushing for Rail

Thomas Eakins, 1874

oil, canvasRealismgenre paintingfiguresfieldskywaterboatsgrass
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering figures in a landscape setting. It also provides practice in capturing the texture of grass and the subtle variations in the sky.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the sky with a thin wash of light blue and white, blending the colors softly.

  3. step 03

    Establish the base color of the field using a mix of yellow ochre, burnt sienna, and white.

  4. step 04

    Add darker values to the foreground to create depth and contrast.

  5. step 05

    Paint the figures, paying attention to their proportions and clothing details.

  6. step 06

    Add details to the grass and vegetation, using short, broken brushstrokes.

  7. step 07

    Paint the distant boats and buildings with muted colors to create atmospheric perspective.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · yellow ochre · burnt sienna · titanium white · ultramarine blue

secondary · raw umber · cadmium red · ivory black

Achieve the field color by mixing yellow ochre, burnt sienna, and white in varying proportions. Create the sky color by mixing ultramarine blue and white, adding a touch of yellow ochre for warmth.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Neglecting to create a sense of depth in the field.
  • →Making the figures too stiff or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4 and 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ivory black oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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