apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ptolemy Philadelph, King of Egypt
Ptolemy Philadelph, King of Egypt by Simon Ushakov

plate no. 6773

Ptolemy Philadelph, King of Egypt

Simon Ushakov

oilBaroquereligious paintingfiguresinteriorarchitecturebooksglobeskull
experienced study

Recreating this painting will help students develop skills in detailed rendering, pattern creation, and understanding of historical color palettes. It also provides practice in depicting complex drapery and architectural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing of the composition, paying close attention to proportions and perspective.

  2. step 02

    Apply a thin wash of burnt umber to establish the basic values and shadows.

  3. step 03

    Begin layering in the local colors, starting with the background elements and working forward.

  4. step 04

    Carefully render the details of the figures, including the clothing, faces, and hands.

  5. step 05

    Add the intricate patterns and ornamentation to the architectural elements and drapery.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Glaze with thin layers of color to unify the painting and enhance the vibrancy.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · gold ochre · ultramarine blue · vermilion · ivory black

secondary · viridian green · raw sienna · titanium white

Achieve the antique gold tones by mixing gold ochre with burnt sienna and a touch of black. Create the muted greens by mixing viridian green with raw sienna and white. The pinks and reds are achieved by mixing vermilion with white and a touch of yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·linear hatching
  • ·pattern creation

common pitfalls

  • →getting lost in the details too early
  • →overworking the colors
  • →failing to establish a strong value structure
  • →inaccurate proportions in the initial drawing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt umber acrylic paint
  • ·gold ochre acrylic paint
  • ·ultramarine blue acrylic paint
  • ·vermilion acrylic paint
  • ·ivory black acrylic paint
  • ·round brushes (sizes 0, 2, 4, 6)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A smooth canvas surface is recommended for detailed work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne