apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Prophet Elijah and the Widow of Sarepta
Prophet Elijah and the Widow of Sarepta by Bernardo Strozzi

plate no. 7152

Prophet Elijah and the Widow of Sarepta

Bernardo Strozzi, 1630

oil, canvasBaroquereligious paintingfiguresreligious sceneinteriorclothingvesselbowl
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating dramatic lighting effects using chiaroscuro. It also provides practice in rendering realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin building up the highlights and shadows.

  4. step 04

    Develop the skin tones, paying attention to subtle color variations and transitions.

  5. step 05

    Paint the drapery, focusing on the folds and textures.

  6. step 06

    Add details to the faces, hands, and objects.

  7. step 07

    Refine the overall composition and values.

  8. step 08

    Add final glazes to enhance the depth and luminosity of the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, burnt umber, and a touch of cadmium red. Use black and burnt umber for dark shadows, and lighten with white for highlights. Mix yellow ochre with burnt umber and white for the clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne