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home·artworks·Promenading in the Forest
Promenading in the Forest by Iván Shishkin

plate no. 9118

Promenading in the Forest

Iván Shishkin, 1869

oil, canvasRealismlandscapetreeslandscapefiguresforestskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in rendering realistic foliage with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with a light, warm tone, allowing for variations in color to suggest sunlight.

  3. step 03

    Establish the dark masses of the trees and foliage, paying attention to the overall shapes.

  4. step 04

    Begin layering in lighter greens and yellows to create highlights on the foliage.

  5. step 05

    Add details to the tree trunks, using thin lines to suggest bark texture.

  6. step 06

    Paint the figures with simple shapes and colors, focusing on their silhouettes.

  7. step 07

    Refine the foreground with details of grass and shadows, creating a sense of depth.

  8. step 08

    Add final highlights and details to the trees and figures to complete the painting.

color palette

primary · sap green · yellow ochre · titanium white · raw umber

secondary · alizarin crimson · ultramarine blue · burnt sienna

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for variations. Use white to lighten colors and create highlights. Add a touch of alizarin crimson to greens for shadows and depth.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details in the foliage, resulting in a cluttered appearance.
  • →Creating too much contrast, which can flatten the image.
  • →Neglecting the atmospheric perspective, causing the background to appear too sharp.
  • →Using pure colors straight from the tube without mixing, resulting in a less natural look.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (sap green, yellow ochre, titanium white, raw umber, alizarin crimson, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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