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home·artworks·Profile of a woman
Profile of a woman by Jose Ferraz de Almeida Junior

plate no. 8784

Profile of a woman

Jose Ferraz de Almeida Junior, 1882

oilRealismportraitportraitwomanprofilefigurehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and creating form through light and shadow. It also offers practice in achieving a limited palette and creating a sense of depth with muted colors.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions and angles.

  2. step 02

    Establish the overall warm background tone with a thin wash of color.

  3. step 03

    Block in the darkest areas of the clothing and hair, gradually building up layers of darker tones.

  4. step 04

    Begin to define the facial features, focusing on the planes of the face and how light falls across them.

  5. step 05

    Carefully blend the transitions between light and shadow on the face to create a sense of volume.

  6. step 06

    Add subtle highlights to the hair, nose, and cheekbones to enhance the form.

  7. step 07

    Refine the details of the eyes, nose, and mouth, paying attention to their shape and expression.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red light for warmth. Use ivory black to darken shadows.

techniques

  • ·tonal painting
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in tone that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A toned canvas with a warm underpainting can help to unify the colors and create a sense of depth.

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oil painting for beginners →how to learn by studying the masters →
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