
plate no. 5118
Jan Lievens, 1630
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and depicting the subtle folds and transparency of fabric. It also provides practice in creating depth and form through careful value control.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head and headscarf.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main areas of color, focusing on the skin tones and the colors in the headscarf.
Begin to refine the details of the face, paying attention to the subtle shifts in value and color.
Work on the folds and shadows of the headscarf, building up the layers of paint to create depth.
Add the details of the jewelry and any other small elements.
Refine the background, ensuring it complements the subject.
Add final highlights and shadows to create a sense of realism.
color palette
primary · titanium white · burnt umber · yellow ochre · raw sienna
secondary · alizarin crimson · ultramarine blue · ivory black
Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and black for shadows, and white with a hint of blue for highlights on the fabric. Mix the colors for the headscarf patterns using the primary and secondary colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a fine-weave canvas for smoother blending. Consider using a limited palette to simplify the color mixing process.
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