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home·artworks·Profile Head of an Old Woman
Profile Head of an Old Woman by Jan Lievens

plate no. 5118

Profile Head of an Old Woman

Jan Lievens, 1630

oilBaroqueportraitportraitwomanheadscarfprofileclothingold age
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and depicting the subtle folds and transparency of fabric. It also provides practice in creating depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and headscarf.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, focusing on the skin tones and the colors in the headscarf.

  4. step 04

    Begin to refine the details of the face, paying attention to the subtle shifts in value and color.

  5. step 05

    Work on the folds and shadows of the headscarf, building up the layers of paint to create depth.

  6. step 06

    Add the details of the jewelry and any other small elements.

  7. step 07

    Refine the background, ensuring it complements the subject.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · burnt umber · yellow ochre · raw sienna

secondary · alizarin crimson · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and black for shadows, and white with a hint of blue for highlights on the fabric. Mix the colors for the headscarf patterns using the primary and secondary colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color and value in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-weave canvas for smoother blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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