apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Princes Maurits and Frederik Hendrik of Orange at the Valkenburg horse fair
Princes Maurits and Frederik Hendrik of Orange at the Valkenburg horse fair by Adriaen van de Venne

plate no. 8681

Princes Maurits and Frederik Hendrik of Orange at the Valkenburg horse fair

Adriaen van de Venne, 1618

oilBaroquegenre paintingfigureshorsesbuildingstreesskytown
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and understanding atmospheric perspective to create depth. It also provides practice in rendering details with limited color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and composition.

  2. step 02

    Establish the sky and distant buildings with thin washes of color.

  3. step 03

    Block in the large masses of trees and ground, focusing on value relationships.

  4. step 04

    Start adding details to the buildings and tents, working from back to front.

  5. step 05

    Begin painting the figures, focusing on their general shapes and positions.

  6. step 06

    Refine the figures with more details, including clothing and facial features.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Finish with small details and adjustments to unify the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · Prussian blue · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin glazes to build up color and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a canvas with a fine weave to allow for detailed brushwork. Consider using a toned ground to help establish value relationships.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne