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home·artworks·Prince Maurice of Nassau, Prince of Orange
Prince Maurice of Nassau, Prince of Orange by John Riley

plate no. 7010

Prince Maurice of Nassau, Prince of Orange

John Riley

oilBaroqueportraitportraitfigurearmorclothingmalehistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and capturing likeness. It also offers practice in depicting complex textures like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the head, shoulders, and torso.

  2. step 02

    Block in the main areas of color: skin tones, background, armor, and sash.

  3. step 03

    Begin refining the facial features, focusing on the eyes, nose, and mouth. Use subtle color variations to create form.

  4. step 04

    Develop the details of the armor, using highlights and shadows to suggest its metallic surface and intricate designs.

  5. step 05

    Work on the sash, blending colors to create a sense of depth and folds.

  6. step 06

    Add details to the collar, using small brushstrokes to represent the texture.

  7. step 07

    Refine the background, ensuring it remains dark and does not distract from the figure.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · titanium white · raw sienna · ultramarine blue

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the armor's metallic sheen by layering dark browns and blacks with highlights of yellow ochre and white.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering metal
  • ·blending

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or flat skin tones.
  • →Failing to capture the likeness of the subject.
  • →Inaccurate rendering of the armor's texture and reflectivity.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: ivory black, burnt umber, cadmium red, yellow ochre, titanium white, raw sienna, ultramarine blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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