apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portraits of a Man, A Woman and a Boy in a Room
Portraits of a Man, A Woman and a Boy in a Room by Pieter Codde

plate no. 0313

Portraits of a Man, A Woman and a Boy in a Room

Pieter Codde, 1640

oilBaroquegenre paintingfiguresinteriorroomportraitsdoorwayfurniture
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and understanding how to depict depth and shadow in an interior setting. It also provides practice in rendering fabrics and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Start with the background, establishing the dark tones and the light coming through the doorway.

  4. step 04

    Develop the figures, starting with the darkest areas and gradually adding highlights.

  5. step 05

    Pay close attention to the details of the clothing and facial features.

  6. step 06

    Refine the edges and blend the colors to create a smooth transition.

  7. step 07

    Add final details such as the lace collars and the texture of the floor.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · ivory black · raw umber · burnt sienna

secondary · titanium white · cadmium red light · yellow ochre

Mix ivory black and raw umber for the dark tones, adding burnt sienna for warmth. Use titanium white to create highlights and mix with small amounts of cadmium red light and yellow ochre for skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Uneven blending of colors.
  • →Not capturing the subtle nuances of skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Raw umber oil paint
  • ·Burnt sienna oil paint
  • ·Titanium white oil paint
  • ·Cadmium red light oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne