apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Yvonne Seys
Portrait of Yvonne Seys by Fernand Khnopff

plate no. 6180

Portrait of Yvonne Seys

Fernand Khnopff, 1890

oilRealismportraitportraitfiguregirlflowerclothingfur
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle color variations and blending techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Block in the background with a muted blue-gray tone.

  3. step 03

    Establish the main values of the face, hair, and clothing, using thin washes of color.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in skin tone and the highlights in the eyes.

  5. step 05

    Add the details of the clothing, including the fur trim and the folds in the fabric.

  6. step 06

    Paint the flower, focusing on its delicate petals and vibrant colors.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · ultramarine blue · burnt sienna

secondary · cadmium red · yellow ochre · viridian

Mix skin tones by blending white, raw umber, and a touch of red or yellow ochre. Create the background by mixing blue, white, and a small amount of umber. Achieve the dark tones of the clothing by mixing umber and blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value studies
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy