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home·artworks·Portrait of young man in a green coat
Portrait of young man in a green coat by Ivan Nikitin

plate no. 3445

Portrait of young man in a green coat

Ivan Nikitin, 1731

oilBaroqueportraitportraitfigureclothingmalehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering fabric textures. It also provides practice in subtle blending and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and pose of the figure.

  2. step 02

    Block in the main shapes of the head, torso, and clothing with thin washes of color.

  3. step 03

    Establish the background color and its subtle variations.

  4. step 04

    Develop the values in the face, focusing on the light and shadow patterns.

  5. step 05

    Add details to the clothing, paying attention to the folds and textures.

  6. step 06

    Refine the facial features and hair, capturing the likeness of the subject.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic effect.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · Prussian blue · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Darken areas with burnt umber and blue. Mix greens for the coat by combining blue and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Incorrect proportions can ruin the likeness.
  • →Overblending can make the painting look flat.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting the values wrong can make the face look distorted.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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