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home·artworks·Portrait of Yelena Likhachova
Portrait of Yelena Likhachova by Nikolai Ge

plate no. 1655

Portrait of Yelena Likhachova

Nikolai Ge, 1892

oil, canvasRealismportraitportraitfiguretablenewspapercandleinterior
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and clothing. It also provides practice in depicting complex textures and details in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and tonal values.

  3. step 03

    Gradually refine the shapes and details of the face, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, table, and other objects, using a variety of brushstrokes to create texture.

  5. step 05

    Carefully render the newspaper, capturing the subtle variations in tone and texture.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges and details, ensuring that the painting is cohesive and balanced.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of burnt sienna. Dark areas are created by mixing ivory black and raw umber. Subtle variations are achieved by adding small amounts of ultramarine blue or cadmium yellow light.

techniques

  • ·portraiture
  • ·tonal painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle tonal variations in the skin.
  • →Creating a flat or lifeless rendering of the figure.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the process of establishing the initial tonal values.

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oil painting for beginners →how to learn by studying the masters →
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