apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ye. G. Flug
Portrait of Ye. G. Flug by Pavel Fedotov

plate no. 9075

Portrait of Ye. G. Flug

Pavel Fedotov, 1850

oil, canvasRealismportraitportraitfiguretablecandlelightshadow
some experience helpful

Recreating this painting will help students understand how to depict dramatic lighting and create a sense of depth using value contrast. It also provides practice in portraiture and rendering textures in low light conditions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, table, and candle.

  2. step 02

    Establish the darkest areas of the background with a dark brown or black.

  3. step 03

    Block in the general areas of light and shadow on the figure and table using mid-tone browns and grays.

  4. step 04

    Mix a warm yellow for the candle light and apply it to the areas directly illuminated.

  5. step 05

    Gradually build up the highlights on the figure's face and hands, blending carefully.

  6. step 06

    Refine the details of the clothing and facial features, paying attention to subtle shifts in value.

  7. step 07

    Add the reflected light on the table and surrounding objects.

  8. step 08

    Make final adjustments to the values and edges to create a cohesive and realistic image.

color palette

primary · burnt umber · ivory black · yellow ochre

secondary · titanium white · raw sienna

Mix various shades of brown and gray by combining burnt umber, ivory black, and white. Use yellow ochre to create the warm glow of the candlelight, and add small amounts of raw sienna for warmer tones.

techniques

  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Over-blending, resulting in a flat and lifeless image.
  • →Not paying attention to the subtle shifts in value within the shadows.
  • →Using too much white, which can make the colors appear chalky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use a canvas with a smooth texture for easier blending. Consider using a medium to improve the flow and drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy