
plate no. 6716
Ilya Repin, 1874
This painting provides an opportunity to practice portraiture, focusing on capturing likeness and rendering realistic skin tones. Students can also learn about creating depth and form using chiaroscuro and subtle color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair.
Establish the overall value structure with a thin wash of burnt umber.
Block in the main areas of color, focusing on the background, clothing, and skin tones.
Refine the facial features, paying close attention to the eyes, nose, and mouth.
Add details to the beard and hair, using small brushstrokes to create texture.
Develop the details of the clothing and chair, adding highlights and shadows.
Adjust the overall composition and values to create a sense of depth and realism.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · burnt umber · titanium white
secondary · yellow ochre · raw sienna · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows and clothing. Mix white with small amounts of other colors to create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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