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home·artworks·Portrait of Willem Coymans
Portrait of Willem Coymans by Frans Hals

plate no. 2501

Portrait of Willem Coymans

Frans Hals, 1645

oil, canvasBaroqueportraitportraitfiguremanclothinghatchair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering fabric textures, and understanding chiaroscuro. It also provides an opportunity to practice glazing techniques to achieve subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, chair, and hat.

  2. step 02

    Establish the background with a dark, muted tone, paying attention to subtle variations in value.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and chair using thin washes of paint.

  4. step 04

    Begin building up the form of the face, focusing on accurate placement of features and subtle gradations in skin tone.

  5. step 05

    Develop the details of the clothing, paying close attention to the folds and highlights in the collar and sleeves.

  6. step 06

    Add the details of the hair, using small, broken brushstrokes to create texture and movement.

  7. step 07

    Refine the details of the chair and background, ensuring they remain secondary to the figure.

  8. step 08

    Apply glazes to unify the painting and create depth, adjusting values and colors as needed.

color palette

primary · ivory black · titanium white · burnt umber

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Dark clothing is primarily black and umber, lightened with white for highlights. Use ultramarine to cool down shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·rendering fabric
  • ·broken brushstrokes

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and form.
  • →Mixing muddy or dull colors.
  • →Getting the skin tones wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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