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home·artworks·Portrait of Vittorio Emanuele III, king of Italy, in full uniform with the great collar of the Order of the Santissima Annunziata
Portrait of Vittorio Emanuele III, king of Italy, in full uniform with the great collar of the Order of the Santissima Annunziata by Alessandro Milesi

plate no. 9113

Portrait of Vittorio Emanuele III, king of Italy, in full uniform with the great collar of the Order of the Santissima Annunziata

Alessandro Milesi

oil, canvasRealismportraitportraitfigureuniformmanclothingjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and details in clothing and accessories.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and greens.

  3. step 03

    Block in the main areas of the face with light and shadow, using a limited palette of earth tones.

  4. step 04

    Develop the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Paint the uniform, focusing on the folds and textures of the fabric.

  6. step 06

    Add the details of the jewelry, using highlights and shadows to create a sense of depth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow

Mix various shades of brown and tan by combining burnt umber, raw sienna, and white. Use small amounts of blue and yellow to create subtle variations in skin tone and clothing.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details.
  • →Using too much color.
  • →Failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, cadmium yellow)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·varnish

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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