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home·artworks·Portrait of Vittorio Emanuele II, king of Sardinia, in full uniform
Portrait of Vittorio Emanuele II, king of Sardinia, in full uniform by Angelo Inganni

plate no. 8933

Portrait of Vittorio Emanuele II, king of Sardinia, in full uniform

Angelo Inganni, 1860

oil, canvasRealismportraitportraitfigureuniformhistoricalking
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones and textures. It also provides practice in painting detailed clothing and accessories.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber.

  3. step 03

    Block in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the uniform, focusing on the dark values and subtle variations in color.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying close attention to the likeness.

  6. step 06

    Render the details of the uniform, such as the collar, sash, and medals.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · viridian · yellow ochre

Mix skin tones using white, sienna, umber, and a touch of red. Achieve the dark uniform color by mixing black, umber, and a hint of green. Use yellow ochre and white for the gold details.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·scumbling

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Over-blending can result in a flat, lifeless appearance.
  • →Neglecting the subtle color variations in the skin can make the portrait look unnatural.
  • →Getting lost in the details of the uniform before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium red, viridian, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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