
plate no. 9254
Eastman Johnson, 1882
This painting provides a good exercise in capturing subtle skin tones and rendering realistic fabric folds. It also offers practice in creating a focal point through careful value and color placement.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and the table.
Establish the background color with a thin wash of muted green and brown.
Block in the main areas of color for the skin, hair, clothing, and table.
Begin layering and blending the skin tones, paying close attention to the subtle variations in light and shadow.
Develop the details of the hair, using small brushstrokes to create texture and form.
Refine the folds and highlights in the clothing, especially the blue sash.
Add details to the table, focusing on the carved ornamentation.
Make final adjustments to the values and colors to enhance the overall realism and create a sense of depth.
color palette
primary · titanium white · raw umber · burnt sienna
secondary · ultramarine blue · yellow ochre · ivory black
Mix skin tones by blending white, raw umber, and burnt sienna, adding small amounts of yellow ochre or ultramarine blue to adjust the warmth or coolness. Use ultramarine blue and white for the sash, adding a touch of black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.
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