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home·artworks·Portrait of Victor Goshkevich, the Founder of the Historic Aarchaeological Museum in Kherson
Portrait of Victor Goshkevich, the Founder of the Historic Aarchaeological Museum in Kherson by Viktor Vasnetsov

plate no. 8819

Portrait of Victor Goshkevich, the Founder of the Historic Aarchaeological Museum in Kherson

Viktor Vasnetsov, 1887

oil, canvasRealismportraitportraitfigurebeardmanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also provides practice in color mixing to achieve realistic skin tones and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure.

  2. step 02

    Block in the main areas of color: skin, hair/beard, clothing, and background.

  3. step 03

    Start refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the beard and hair, using short, broken brushstrokes to create texture.

  5. step 05

    Work on the clothing, focusing on the folds and shadows.

  6. step 06

    Refine the background, blending the colors smoothly.

  7. step 07

    Add details to the face, such as the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · raw umber · yellow ochre · titanium white · ivory black

secondary · burnt sienna · cadmium yellow · ultramarine blue

Mix skin tones by blending yellow ochre, raw umber, and titanium white. Use burnt sienna for warmer areas and a touch of ultramarine blue to cool down shadows. Darken colors with ivory black.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·broken brushstrokes
  • ·value studies
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on details early on.
  • →Ignoring the overall value structure.
  • →Using too much paint and losing the texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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