apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Theodorus Schrevelius
Portrait of Theodorus Schrevelius by Frans Hals

plate no. 1741

Portrait of Theodorus Schrevelius

Frans Hals, 1617

oilBaroqueportraitportraitmanbookcollarbeardclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding chiaroscuro and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and book.

  2. step 02

    Establish the background with a thin layer of dark brown, leaving the figure's area untouched.

  3. step 03

    Block in the main areas of color on the face, beard, and hands using a limited palette of earth tones.

  4. step 04

    Begin building up the values on the face, focusing on the highlights and shadows to create form.

  5. step 05

    Add details to the eyes, nose, and mouth, paying close attention to the subtle variations in color and value.

  6. step 06

    Paint the collar and clothing, using darker tones to create contrast with the face.

  7. step 07

    Render the book, including the lettering and decorative elements.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix various shades of brown and flesh tones by combining burnt umber, raw sienna, white, and small amounts of red and yellow. Use black sparingly to darken shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Failing to create sufficient contrast between light and shadow.
  • →Getting lost in details too early, before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for capturing the details of the portrait.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne