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home·artworks·Portrait of the writer Ossip Schubin (pseudonym of Aloisia Kirschner)
Portrait of the writer Ossip Schubin (pseudonym of Aloisia Kirschner) by Karl Gussow

plate no. 8331

Portrait of the writer Ossip Schubin (pseudonym of Aloisia Kirschner)

Karl Gussow, 1887

oil, canvasRealismportraitportraitwomanfigureclothingjewelryface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering delicate fabrics. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head and shoulders.

  2. step 02

    Establish the background with a dark, even tone, gradually building up the darkness.

  3. step 03

    Block in the main shapes of the face and clothing, using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the facial features, focusing on capturing the likeness and expression of the subject.

  5. step 05

    Develop the details of the clothing and jewelry, paying attention to the textures and patterns.

  6. step 06

    Refine the highlights and shadows to create depth and dimension in the face and clothing.

  7. step 07

    Add the final details, such as the hair and the subtle variations in skin tone.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ivory black diluted with medium for the dark background and clothing.

techniques

  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the skin tones.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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