apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the writer D.L. Mordovtsev
Portrait of the writer D.L. Mordovtsev by Boris Kustodiev

plate no. 9412

Portrait of the writer D.L. Mordovtsev

Boris Kustodiev, 1901

oilRealismportraitportraitfigurebookschairbeardinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict form using subtle value changes and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the skin, clothing, and background, focusing on accurate values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the beard, using small, broken brushstrokes to create texture.

  6. step 06

    Add details to the chair and books, simplifying the forms and focusing on the overall impression.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · viridian · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red. Use black and umber to create the dark tones of the suit and background. Green hues are created by mixing yellow ochre and viridian.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·value study
  • ·portraiture

common pitfalls

  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of value in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy