apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the third wife
Portrait of the third wife by Giovanni Fattori

plate no. 0192

Portrait of the third wife

Giovanni Fattori, 1905

oil, canvasRealismportraitportraitfigurechairwindowlandscapeinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as practice techniques for rendering fabric and creating depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and window.

  2. step 02

    Block in the main shapes and colors of the background, including the wall, window frame, and landscape outside.

  3. step 03

    Establish the dark values of the figure's dress, paying attention to the folds and shadows.

  4. step 04

    Begin layering in the mid-tones and highlights on the face, gradually building up the form.

  5. step 05

    Add details to the hands, including the ring, and refine the facial features.

  6. step 06

    Work on the details of the chair, including the lace trim and the red upholstery.

  7. step 07

    Refine the landscape visible through the window, adding details to the trees and hills.

  8. step 08

    Add final highlights and shadows to create depth and dimension throughout the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and yellow ochre to warm up the skin tones. Add ultramarine blue to darken shadows.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy