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home·artworks·Portrait of the pianist, conductor and composer Anton Grigorievich Rubinstein
Portrait of the pianist, conductor and composer Anton Grigorievich Rubinstein by Ilya Repin

plate no. 9162

Portrait of the pianist, conductor and composer Anton Grigorievich Rubinstein

Ilya Repin, 1881

oil, canvasRealismportraitportraitfiguremanformal wearhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in creating depth and texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic proportions and pose of the figure.

  2. step 02

    Establish the background color with a thin wash of red and brown.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using broad strokes.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the hair and clothing, adding texture with varied brushstrokes.

  6. step 06

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the face and hands to draw the viewer's eye.

  8. step 08

    Allow to dry and add a thin layer of varnish.

color palette

primary · ivory black · burnt umber · cadmium red light · yellow ochre

secondary · titanium white · raw sienna

Mix the skin tones using yellow ochre, cadmium red light, and titanium white, adjusting the proportions to create highlights and shadows. Use burnt umber and ivory black to create the dark tones in the hair and clothing. The background is a mix of cadmium red light and burnt umber.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the overall sense of form and proportion.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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