apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Painter Joaquin Araujo Ruano
Portrait of the Painter Joaquin Araujo Ruano by Giovanni Boldini

plate no. 0013

Portrait of the Painter Joaquin Araujo Ruano

Giovanni Boldini, 1882

oilRealismportraitportraitfigurechairinteriorartistclothing
experienced study

Recreating this painting will help students develop skills in portraiture, capturing likeness and expression, as well as loose, expressive brushwork to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic proportions and composition of the figure, chair, and background elements.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall value structure.

  3. step 03

    Develop the skin tones by layering different shades of browns, reds, and yellows, paying attention to the light and shadow on the face and hands.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  5. step 05

    Work on the clothing, using loose, expressive brushstrokes to create texture and movement.

  6. step 06

    Develop the background, using a similar approach to the clothing, focusing on the overall color harmony.

  7. step 07

    Add final details and highlights to the painting, using a fine brush.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · ultramarine blue

Mix various shades of brown and grey by combining burnt umber, yellow ochre, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the skin tones and background.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original painting.
  • →Failing to capture the likeness and expression of the figure.
  • →Creating muddy or dull colors by overmixing the paints.
  • →Ignoring the value structure and creating a flat, uninteresting painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy