apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Italian actress Eleanora Duse
Portrait of the Italian actress Eleanora Duse by Vittorio Matteo Corcos

plate no. 0655

Portrait of the Italian actress Eleanora Duse

Vittorio Matteo Corcos

oilRealismportraitportraitfigurewomanhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering subtle skin tones and capturing likeness. It also provides practice in depicting delicate details like lace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the figure.

  2. step 02

    Establish the main shapes of the face, hair, and clothing.

  3. step 03

    Block in the background with a light, diluted wash.

  4. step 04

    Begin layering skin tones, focusing on subtle shifts in color and value.

  5. step 05

    Develop the hair, paying attention to the direction of the curls and highlights.

  6. step 06

    Paint the clothing, capturing the folds and textures, especially the lace details.

  7. step 07

    Refine the facial features, adding details to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · raw umber · burnt sienna · alizarin crimson

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing white with small amounts of raw umber, burnt sienna, and alizarin crimson. Use ultramarine blue to cool down the skin tones and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the subtle variations in skin tone.
  • →Getting the proportions of the face wrong.
  • →Overworking the details, losing the overall softness of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval preferred, or square/rectangle)
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)
  • ·soft cloth or paper towels

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A smooth canvas surface will be ideal for blending. Consider using a toned canvas to make judging values easier.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy