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home·artworks·Portrait of the Infanta Maria Teresa future Queen Marie Therese of France
Portrait of the Infanta Maria Teresa future Queen Marie Therese of France by Diego Velázquez

plate no. 4591

Portrait of the Infanta Maria Teresa future Queen Marie Therese of France

Diego Velázquez, 1653

oil, canvasBaroqueportraitportraitfiguredresshairjewelryroyal
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the overall composition.

  2. step 02

    Establish the background with dark greens and browns, creating a sense of depth.

  3. step 03

    Block in the main areas of the dress with light beige and gray tones, paying attention to the folds and shadows.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Add details to the hair and headdress, using small brushstrokes to create texture and dimension.

  6. step 06

    Develop the details of the dress, including the lace, ribbons, and jewelry.

  7. step 07

    Refine the hands and the white cloth, paying attention to the subtle folds and highlights.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · viridian green · raw sienna

Mix various shades of beige and gray by combining white, black, and umber. Use red and yellow ochre for skin tones, and mix greens with black and yellow for the background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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