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home·artworks·Portrait of the Infanta Maria Marguerita
Portrait of the Infanta Maria Marguerita by Diego Velázquez

plate no. 5939

Portrait of the Infanta Maria Marguerita

Diego Velázquez, 1654

oil, canvasBaroqueportraitportraitfiguredresshairjewelrybackground
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in glazing and layering techniques to achieve subtle color variations and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the main elements of the composition.

  2. step 02

    Establish the background with a thin wash of dark brown and umber.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, focusing on the overall values.

  4. step 04

    Begin layering and blending the skin tones, paying attention to the subtle shifts in color and value.

  5. step 05

    Develop the details of the dress, including the black and white patterns and the lace trim.

  6. step 06

    Add the highlights and shadows to create form and dimension.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red light · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the dark areas of the dress by mixing black and umber. Use thin glazes of red and umber to add warmth and depth to the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·layering

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Getting the proportions wrong.
  • →Not paying enough attention to the subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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