
plate no. 5939
Diego Velázquez, 1654
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in glazing and layering techniques to achieve subtle color variations and depth.
technical profile
approach — 8 steps
Sketch the basic proportions of the figure and the main elements of the composition.
Establish the background with a thin wash of dark brown and umber.
Block in the main areas of color for the skin, hair, and dress, focusing on the overall values.
Begin layering and blending the skin tones, paying attention to the subtle shifts in color and value.
Develop the details of the dress, including the black and white patterns and the lace trim.
Add the highlights and shadows to create form and dimension.
Refine the details of the face, including the eyes, nose, and mouth.
Add final touches and glazes to unify the painting and enhance the colors.
color palette
primary · titanium white · ivory black · burnt umber · yellow ochre
secondary · cadmium red light · raw sienna
Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the dark areas of the dress by mixing black and umber. Use thin glazes of red and umber to add warmth and depth to the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne