apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Family Twent in An Interior
Portrait of the Family Twent in An Interior by Pieter Codde

plate no. 2108

Portrait of the Family Twent in An Interior

Pieter Codde, 1633

oilBaroquegenre paintingfiguresgroup portraitinteriorarchitectureclothingdog
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and clothing folds, as well as understanding complex compositions with multiple figures. It also provides practice in capturing the nuances of light and shadow to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start with the background and gradually move towards the foreground figures.

  4. step 04

    Focus on accurately capturing the proportions and anatomy of each figure.

  5. step 05

    Build up layers of color to create depth and dimension in the clothing and skin tones.

  6. step 06

    Pay close attention to the light source and how it affects the shadows and highlights.

  7. step 07

    Add details such as facial features, lace, and jewelry.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · ivory black · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix various shades of gray by combining ivory black and titanium white. Create realistic skin tones by blending titanium white, yellow ochre, cadmium red light, and a touch of burnt sienna. Achieve the blue hues of the dress by mixing Prussian blue with titanium white and a touch of raw umber to mute the color.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Inaccurate proportions of figures.
  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne