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home·artworks·Portrait of the Dwarf Michol
Portrait of the Dwarf Michol by Juan Carreño de Miranda

plate no. 1460

Portrait of the Dwarf Michol

Juan Carreño de Miranda, 1680

oilBaroqueportraitfigurebirdsdogsfruitarchitectureportrait
experienced study

Recreating this painting would help students develop skills in rendering realistic textures and capturing accurate proportions of figures and animals. It also provides practice in creating a harmonious color palette with subtle variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Block in the background and large areas of color, focusing on value relationships.

  3. step 03

    Begin to define the figure and animals, paying close attention to anatomy and proportions.

  4. step 04

    Develop the details of the clothing, feathers, and fur, using layering and glazing techniques.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the details of the face and features.

  7. step 07

    Add final touches and adjust colors as needed.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix blacks and browns with blues and reds to avoid a chalky appearance. Use white sparingly to create subtle highlights. Glaze with thin layers of color to achieve depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →getting proportions wrong
  • →overworking the details too early
  • →muddying the colors
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, titanium white, raw umber, burnt sienna, cadmium red light, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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