apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Duke of Pastrana
Portrait of the Duke of Pastrana by Juan Carreño de Miranda

plate no. 7249

Portrait of the Duke of Pastrana

Juan Carreño de Miranda, 1670

oilBaroqueportraitportraitfigurehorselandscapedogclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere using tonal values and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, horse, and dog.

  2. step 02

    Establish the background with broad strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure and horse, paying attention to proportions and anatomy.

  4. step 04

    Begin to refine the details of the face, hair, and clothing, using subtle variations in tone and color.

  5. step 05

    Add details to the horse and dog, capturing their unique characteristics.

  6. step 06

    Refine the lighting and shadows, creating a sense of volume and form.

  7. step 07

    Add final details, such as the sword, jewelry, and other accessories.

  8. step 08

    Glaze to unify the painting and add depth.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Use a limited palette of earth tones and blacks to create a sense of depth and atmosphere. Mix small amounts of secondary colors to create subtle variations in tone.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to capture the likeness of the figure.
  • →Creating a flat, lifeless painting by not paying attention to tonal values.
  • →Getting lost in the details of the clothing and accessories and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints and brushes for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne