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Portrait of the daughter by Ivan Tvorozhnikov

plate no. 3105

Portrait of the daughter

Ivan Tvorozhnikov, 1889

oil, canvasRealismportraitportraitfiguregirlbonnetleavesfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle color variations in skin tones, as well as rendering fabric and foliage with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of color.

  3. step 03

    Block in the local colors of the skin, bonnet, clothing, and foliage.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the folds and highlights in the clothing and bonnet.

  6. step 06

    Add details to the background foliage, varying the color and texture of the leaves.

  7. step 07

    Adjust the overall color harmony and value contrast.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · alizarin crimson · viridian

secondary · ultramarine blue · burnt umber

Mix skin tones using white, yellow ochre, and alizarin crimson, adding small amounts of blue or umber to adjust the temperature. Achieve the green foliage by mixing viridian with yellow ochre and white, and use ultramarine blue and burnt umber to create the dark background.

techniques

  • ·portraiture
  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions in the initial sketch.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Getting lost in details before establishing the overall composition and value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (titanium white, yellow ochre, alizarin crimson, viridian, ultramarine blue, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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