apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the composer P.S. Campione
Portrait of the composer P.S. Campione by Vasily Perov

plate no. 6755

Portrait of the composer P.S. Campione

Vasily Perov, 1872

oilRealismportraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve blending techniques to create smooth transitions and subtle variations in color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas.

  3. step 03

    Begin layering in the mid-tones, focusing on the planes of the face and the folds of the clothing.

  4. step 04

    Carefully blend the transitions between values to create a smooth, realistic effect.

  5. step 05

    Add details to the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Develop the texture of the beard and hair using small, controlled brushstrokes.

  7. step 07

    Refine the edges and contours of the figure to create a sense of depth and form.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix various combinations of burnt umber, raw sienna, and white to achieve the skin tones. Use small amounts of red and yellow to add warmth and subtle color variations. Black is used sparingly to darken shadows.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much black, which can make the painting look muddy.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy