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home·artworks·Portrait of the Composer Anton Rubinstein
Portrait of the Composer Anton Rubinstein by Vasily Perov

plate no. 0618

Portrait of the Composer Anton Rubinstein

Vasily Perov, 1870

oil, canvasRealismportraitportraitfiguremanchairclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a thin wash of muted greens and browns, paying attention to subtle value shifts.

  3. step 03

    Block in the main areas of the figure, including the face, hair, and clothing, using simplified shapes and values.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle details like highlights and shadows.

  5. step 05

    Develop the clothing and chair, adding details like folds, buttons, and textures.

  6. step 06

    Work on the hands, paying attention to their form and gesture.

  7. step 07

    Refine the overall composition, adjusting values and details as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · raw umber · burnt sienna

secondary · cadmium red · yellow ochre · titanium white

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with burnt umber and black, and lighten with white. Use thin glazes to build up depth and richness.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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