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home·artworks·Portrait of the Author Alexander Herzen
Portrait of the Author Alexander Herzen by Nikolai Ge

plate no. 5948

Portrait of the Author Alexander Herzen

Nikolai Ge, 1867

oil, canvasRealismportraitportraitmanbeardhairclothingoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the oval shape and the basic proportions of the head and shoulders.

  2. step 02

    Lightly sketch the main features of the face: eyes, nose, mouth, and beard.

  3. step 03

    Establish the darkest and lightest values in the background and clothing.

  4. step 04

    Begin blocking in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Work on the beard and hair, paying attention to the direction of the strokes and the variations in color.

  6. step 06

    Refine the details of the face, such as the eyes and mouth, to capture the likeness.

  7. step 07

    Add subtle details to the clothing and background to create depth and interest.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, sienna, umber, and a touch of red. Use black and umber for the dark clothing and background. Mix white into the darker colors to create highlights.

techniques

  • ·portrait drawing
  • ·value studies
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red light, yellow ochre)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use a canvas with a smooth surface for easier blending. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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